% Title: glps_renderer figure
% Creator: GL2PS 1.3.8, (C) 1999-2012 C. Geuzaine
% For: Octave
-% CreationDate: Wed Jan 28 18:12:01 2015
+% CreationDate: Fri Jan 30 17:04:57 2015
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\chapter{Introduction}
-In everyday life cameras are used to capture a moment and save it for
-eternity, but imaging technology technology can be used in many other
-contexts, including medical and astronomical applications.
-With the advent of computers, tasks previously reserved for the human
-brain, like recognizing textures, detecting edges and inferring shapes
-and motion, can now be performed algorithmically. The background of
-these methods span several fields, including psychology and biology for
-the study of human vision, statistics and analysis for the mathematical
-foundations, and computer science for the implementation and performance
-analysis.
-
-It is possible to roughly spread the tasks of image processing out along
-a line spanning from the raw capturing of light coming into the camera,
-a purely physical problem, to the computer vision
-methods in the other end, semantically interpreting the scene,
-recognizing objects, their position and their movement. In between we
-have algorithms working on the captured image, without implying too much
-about what the image contains. These methods are often categorized as
-\emph{early vision} and includes but is not limited to image
-restoration, segmentation, filtering and edge detection.
-
-In the process of capturing the image with our physical apparatus,
-there is always some noise included. Some might come from the physical
-nature of how light travels from the scene to the objective, while some
-might result from inaccuracies in the construction of the capturing
-apparatus. These noise-inducing processes can be studied, and modeled
-mathematically, and the process of image restoration looks at how one
-can remove some---or optimally all---of the noise in the captured
-image. These methods often take into account how we would expect a
-``normal'' image to look in the capturing conditions, and also what
-kinds of noise we expect to be a part of the image.
-
-In the next chapter we will see a short overview of some of the most
-popular methods in image restoration, especially those related to the
-anisotropic total variation based method that will be the focus of the
-rest of the thesis.
-
-In my project work \cite{project}, I described how total variation
-regularization can be performed on a grayscale image using a graph cut
-approach. In this thesis, this method will be expanded upon by
-introducing a more flexible \emph{anisotropic} total variation. The goal
-is to improve how the method behaves around edges and detailed parts of
-the image.
-
-In order to get a good understanding of the method, we will try to
-describe and look into all the different parts needed to make the method work,
-instead of focusing particularly on one piece of the puzzle. The
-continuous formulation and the theorems relating to it are thoroughly
-described, as they are central to how we arrive at our discrete minimizer.
-Next we look at the discretization of the functional, and its different
-approximation errors. The discrete minimizer is found using a graph cut
-approach as in my project work, and the description is similar except
-for some minor changes and a new section on the Boykov--Kolmogorov
-algorithm.
-
-In the end we will through restoration of more or less constructed
-examples look at how the introduced anisotropy changes the method. As
-the anisotropic total variation also introduces several new parameters,
-the result section will focus on looking at how these parameters affect
-the restoration performance.
+[image processing]
+
+Image processing forms an important part of our modern computerized
+world. Tasks previously reserved for humans, like detecting edges,
+recognizing textures and inferring shapes and motions can now be
+performed algorithmically. The background of these methods span several
+fields, including phychology and biology for the study of human vision,
+statistics and analysis for the mathematical background, and computer
+science for their implementation and performance analysis.
+
+[image restoration]
+
+Image restoration methods are concerned with trying to remove noise in
+images. There are numerous different ways to approach the problem. For
+background we will discuss some before we go into detail on the total
+variation method.
+
+[total variation]
+
+As the name suggests, total variation is a measure of how much variation
+there is in an image, in total. Thus these methods are often trying to
+reduce the total variation while still staying close to the original
+image, in some sense. The main strength of the total variation method is
+its ability to conserve edges, as it does not favor smooth gradients
+over edges like many other methods. However, it may introduce edges from
+noise, and it may also reduce the total contrast in the image.
+
+mention project
+
+[thesis walkthrough]
+
+In this thesis we introduce an anisotropy tensor into the total
+variation norm. This means making the norm directionally dependant, such
+that we can control the weight of the variation based on the position,
+and also the direction. The continuous problem is transformed through an
+anisotropic coarea formula and an anisotropic Cauchy--Crofton formula to
+facilitate the discretization. This is one of the main parts of this
+thesis.
+
+The continuous formulation, now consisting of several integrals, is then
+discretized into a series of sums, over the pixels in an image. We make
+sure that the discrete formulation is consistent with the continuous
+one.
+
+A provable optimal solution to the discrete problem is then found using
+a graph cut algorithm. For each level in the image, a graph is
+constructed, and a minimum cut is found, and the restored image can then
+be extracted from all these partial solutions.
+
+For finding these minimum cuts, two algorithms are presented. The
+push-relabel algorithm is considered to be the fastest and most
+versatile for general graphs, while the Boykov--Kolmogorov algorithm is
+specially taylored for the type of graphs we find in these kinds of
+imaging applications.
+
+Further we have some results, and then that's it.
+
+%In everyday life cameras are used to capture a moment and save it for
+%eternity, but imaging technology technology can be used in many other
+%contexts, including medical and astronomical applications.
+%With the advent of computers, tasks previously reserved for the human
+%brain, like recognizing textures, detecting edges and inferring shapes
+%and motion, can now be performed algorithmically. The background of
+%these methods span several fields, including psychology and biology for
+%the study of human vision, statistics and analysis for the mathematical
+%foundations, and computer science for the implementation and performance
+%analysis.
+%
+%It is possible to roughly spread the tasks of image processing out along
+%a line spanning from the raw capturing of light coming into the camera,
+%a purely physical problem, to the computer vision
+%methods in the other end, semantically interpreting the scene,
+%recognizing objects, their position and their movement. In between we
+%have algorithms working on the captured image, without implying too much
+%about what the image contains. These methods are often categorized as
+%\emph{early vision} and includes but is not limited to image
+%restoration, segmentation, filtering and edge detection.
+%
+%In the process of capturing the image with our physical apparatus,
+%there is always some noise included. Some might come from the physical
+%nature of how light travels from the scene to the objective, while some
+%might result from inaccuracies in the construction of the capturing
+%apparatus. These noise-inducing processes can be studied, and modeled
+%mathematically, and the process of image restoration looks at how one
+%can remove some---or optimally all---of the noise in the captured
+%image. These methods often take into account how we would expect a
+%``normal'' image to look in the capturing conditions, and also what
+%kinds of noise we expect to be a part of the image.
+%
+%In the next chapter we will see a short overview of some of the most
+%popular methods in image restoration, especially those related to the
+%anisotropic total variation based method that will be the focus of the
+%rest of the thesis.
+%
+%In my project work \cite{project}, I described how total variation
+%regularization can be performed on a grayscale image using a graph cut
+%approach. In this thesis, this method will be expanded upon by
+%introducing a more flexible \emph{anisotropic} total variation. The goal
+%is to improve how the method behaves around edges and detailed parts of
+%the image.
+%
+%In order to get a good understanding of the method, we will try to
+%describe and look into all the different parts needed to make the method work,
+%instead of focusing particularly on one piece of the puzzle. The
+%continuous formulation and the theorems relating to it are thoroughly
+%described, as they are central to how we arrive at our discrete minimizer.
+%Next we look at the discretization of the functional, and its different
+%approximation errors. The discrete minimizer is found using a graph cut
+%approach as in my project work, and the description is similar except
+%for some minor changes and a new section on the Boykov--Kolmogorov
+%algorithm.
+%
+%In the end we will through restoration of more or less constructed
+%examples look at how the introduced anisotropy changes the method. As
+%the anisotropic total variation also introduces several new parameters,
+%the result section will focus on looking at how these parameters affect
+%the restoration performance.
\chapter{Methods in image restoration}
\includegraphics[width=\textwidth]{fig/fanisodiff.png}
\caption{Regularized, parameters: bleep bloop}
\end{subfigure}
- \caption{\fixme{UPDATE THIS}}
+ \caption[bleapofsijdosij]{\fixme{UPDATE THIS}}
\label{fig:ansi_diff}
\end{figure}
\includegraphics[width=\textwidth]{fig/factory/grad/r_p2_n16_b5000_g1000000000_r5_s3.png}
\caption{Total variation restoration}
\end{subfigure}
- \caption{%
+ \caption[The stair-casing effect of regular total variation
+ restoration]{%
Although the original gradient was smooth, the total variation
method manages to find structure in the noise, and create edges
in the restored image.
\centering
\includegraphics[width=\textwidth]{fig/ftv.png}
\end{subfigure}
- \caption{%
+ \caption[Heavily regularized fingerprint showing contrast loss]{%
A fingerprint heavily regularized using the total variation
method. The originally white and black ridges have been brought
closer in value, to reduce the total variation.
\end{figure}
The anisotropy was introduced into the total variation in order to
-lessen the regularization done across what we know, or at least are
+lessen the regularization applied across what we know, or at least are
pretty sure to be edges in the image. Before considering the anisotropy
tensor construction described earlier, we will look at how a simple
predescribed tensor affects the regularization. Imagine a tensor which
tensor $A = \operatorname{diag}(1, \epsilon)$, and then with the tensor
described in Section~\ref{sec:anisotropy_tensor}. We see in
Figure~\ref{fig:tensor_experiment_unif} that the uniform tensor gives a
-strong smoothing in the $x$-direction, while no apparent smoothing in
+strong smoothing in the $x$-direction, but no apparent smoothing in
the $y$-direction.
\begin{figure}
test image in Figure~\ref{fig:lena_process_orig}. The first step in the
construction of the structure tensor is to blur the image with parameter
$\sigma$, and the result is shown in Figure~\ref{fig:lena_process_blur}.
-The blurring is done so that the edge detector $\nabla f_\sigma$, which
-is shown squared and normalized in Figure~\ref{fig:lena_process_edge}, is not too
+The blurring is done so that the edge detector $\nabla f_\sigma$,
+visualized as $\abs{\nabla f_\sigma}^2$ in Figure~\ref{fig:lena_process_edge}, is not too
sensitive to noise in the image. The structure tensor is then
constructed using $\nabla f_\sigma$ and smoothed according to the
integration scale $\rho$.
The resulting anisotropy tensor is visualized in
Figure~\ref{fig:lena_process_tensor}. In a selection of points, the
-tensor has been drawn as its two eigenvectors, with the corresponding
-eigenvalue as its length, and we clearly see that the eigenvalues are
-smaller across edges. Another way of visualizing the tensor, which makes
-it possible to see it in every point, is using the color wheel in
-Figure~\ref{fig:color_wheel}. The color is decided by the tensor angle,
-while the brightness, or the radius in the wheel, is set to $1 /
-\lambda_2$, the inverse of the smallest eigenvalue of the metric tensor
-$M(x)$. Thus the stronger the anisotropy, the brighter the color, while
-we expect smooth areas in the original image to be black.
+eigenvectors of the tensor have been drawn. The length of the vectors
+have been scaled by the corresponding eigenvalue.
+
+Another way of visualizing the tensor is shown in
+Figure~\ref{fig:lena_process_color}. The color in each point is decided
+by the size of the smallest eigenvalue, and the direction of its
+corresponding eigenvector, using the color wheel in
+Figure~\ref{fig:color_wheel}. The direction decides the color,
+while the brightness, here the radius, is set to $1 / \sigma_1 - 1$,
+where $\sigma_1$ is the smallest eigenvalue.
+Thus the stronger the anisotropy, the brighter the color, while
+we expect uniform areas in the original image to be black in the
+tensor visualization.
\begin{figure}
\centering
~
\begin{subfigure}[t]{0.30\textwidth}
\centering
- \includegraphics[width=\textwidth]{fig/factory/lines/r_p2_n8_b5000_g100_r4_s2.png}
+ \includegraphics[width=\textwidth]{fig/factory/lines/r_p2_n8_b10000_g100_r4_s2.png}
\end{subfigure}
~
\begin{subfigure}[t]{0.30\textwidth}
\centering
- \includegraphics[width=\textwidth]{fig/factory/lines/r_p2_n8_b5000_g100_r15_s0.2.png}
+ \includegraphics[width=\textwidth]{fig/factory/lines/r_p2_n8_b10000_g100_r15_s0.2.png}
\end{subfigure}
\begin{subfigure}[t]{0.30\textwidth}
\centering
- \includegraphics[width=\textwidth]{fig/factory/lines/r_p2_n8_b5000_g100_r15_s2_blur.png}
+ \includegraphics[width=\textwidth]{fig/factory/lines/r_p2_n8_b10000_g100_r15_s2_blur.png}
\caption{%
Original and blurred with $\sigma = 2$.
}
~
\begin{subfigure}[t]{0.30\textwidth}
\centering
- \includegraphics[width=\textwidth]{fig/factory/lines/r_p2_n8_b5000_g100_r4_s2_color.png}
+ \includegraphics[width=\textwidth]{fig/factory/lines/r_p2_n8_b10000_g100_r4_s2_color.png}
\caption{%
Restored with relatively high noise scale of $\sigma = 2$.
}
~
\begin{subfigure}[t]{0.30\textwidth}
\centering
- \includegraphics[width=\textwidth]{fig/factory/lines/r_p2_n8_b5000_g100_r15_s0.2_color.png}
+ \includegraphics[width=\textwidth]{fig/factory/lines/r_p2_n8_b10000_g100_r15_s0.2_color.png}
\caption{%
Restored with low noise scale $\sigma = 0.2$, but large integration
scale $\rho = 15$.
\caption[Effects of the $\sigma$ and $\rho$ parameters on
restoration]{%
An example constructed to show the effects of the parameters
- $\sigma$ and $\rho$ in the anisotropy tensor. The noise scale
- $\sigma$ controls what is considered to be noise, while the
- integration scale $\rho$ controls the size of the structures
- considered by the tensor.
+ $\sigma$ and $\rho$ in the anisotropy tensor.
+ The noise scale $\sigma$ controls the smoothing done before edge
+ detection, and $\sigma=2$ means the thinnest lines are
+ not considered to be edges by the tensor, and they are thus
+ regularized.
+ The integration scale $\rho$ controls the size of the structures
+ considered by the tensor, and does in this case allow us to
+ ignore the smaller structures. Parameters: $\abs{\mathcal{N}} =
+ 8$, $\beta = 10000$, $\omega = 100$.
}
\label{fig:scale_comp}
\end{figure}
construction we have a constructed a zebra pattern of increasing width
as shown in Figure~\ref{fig:scale_comp}.
The anisotropy introduced should in theory help reduce contrast
-loss in this situation, by reducing the regularization done in the
+loss in this situation, by reducing the regularization applied in the
$x$-direction across the edges. There is however the question of how the
different scales $\sigma$ and $\rho$ affect the regularization.
\input{fig/pixel_perimeter.tex}
\end{figure}
+As mentioned before, there is a discretization error which relates
+to the length of the edges in the neighborhood. We approximated the
+number of times an edge $e_{ab}$ crosses level set boundary by
+$\abs{u^\lambda_a
+- u^\lambda_b}$, an approximation that becomes worse for long edges. Thus a larger
+neighborhood is not always better, even if it will reduce the artifacts
+discussed above. In Figure~\ref{fig:lena_neigh}, a noisy image of Lena
+has been restored using two neighborhood stencils, and
+there are obvious differences. For the stencil of size 72, the restored
+image still contains some pixel-sized noise.
+An explanation can be found in
+Figure~\ref{fig:pixel_perimeter}. We see why the length of a
+one-pixel curve is underestimated by the Cauchy--Crofton formula when
+some of the edges are long. Because
+many edges $e_{ab}$ cross the curve cross while $\abs{u^\lambda_a - u^\lambda_b}
+= 0$, thus these edges are ignored completely in our perimeter
+approximation.
+
\begin{table}
\caption[Circle circumferences estimated by the Cauchy--Crofton
formula]{%
\label{tab:circumference}
\end{table}
-As mentioned before, there is a discretization error which relates
-to the length of the edges in the neighborhood. We approximated the
-number of times an edge $e_{ab}$ crosses level set boundary by
-$\abs{u^\lambda_a
-- u^\lambda_b}$, an approximation that becomes worse for long edges. Thus a larger
-neighborhood is not always better, even if it will reduce the artifacts
-discussed above. In Figure~\ref{fig:lena_neigh}, a noisy image of Lena
-has been restored using two neighborhood stencils, and
-there are obvious differences. For the stencil of size 72, the restored
-image still contains some pixel-sized noise.
-An explanation can be found in
-Figure~\ref{fig:pixel_perimeter}. We see why the length of a
-one-pixel curve is underestimated by the Cauchy--Crofton formula when
-some of the edges are long. Because
-many edges $e_{ab}$ cross the curve cross while $\abs{u^\lambda_a - u^\lambda_b}
-= 0$, thus these edges are ignored completely in our perimeter
-approximation.
-
An additional demonstration that this problem mostly relates
to small sized noise is shown in Table~\ref{tab:circumference}. The
table shows how our discrete Cauchy--Crofton formula approximates the
\centering
\includegraphics[width=\textwidth]{fig/factory/finger/r_p2_n32_b15000_g1000000000000_r10_s3.png}
\caption{%
- Regular TV,\\ $\beta=15000$,\\ $\norm{u - f}_{L^1} =
- 2886817$.
+ Regular TV,\\ $\beta=15000$,\\ $\norm{u - f}_{L^2} =
+ 17022$.
}
\label{fig:finger_contrast_tv}
\end{subfigure}
\includegraphics[width=\textwidth]{fig/factory/finger/r_p2_n32_b15000_g150_r10_s3.png}
\caption{%
Anisotropic TV ($\gamma = 150$), $\beta=15000$,
- $\norm{u - f}_{L^1} = 2558191$.
+ $\norm{u - f}_{L^2} = 15272$.
}
\label{fig:finger_contrast_atv1}
\end{subfigure}
~
\begin{subfigure}[t]{0.30\textwidth}
\centering
- \includegraphics[width=\textwidth]{fig/factory/finger/r_p2_n32_b21450_g150_r10_s3.png}
+ \includegraphics[width=\textwidth]{fig/factory/finger/r_p2_n32_b20970_g150_r10_s3.png}
\caption{%
- Anisotropic TV ($\gamma = 150$), $\beta=21450$,
- $\norm{u - f}_{L^1} = 2886529$.
+ Anisotropic TV ($\gamma = 150$), $\beta=20970$,
+ $\norm{u - f}_{L^2} = 17022$.
}
\label{fig:finger_contrast_atv2}
\end{subfigure}
but it is however not obvious what this
tells us about the quality of the anisotropic algorithm. As previously
mentioned, increasing the anisotropy (decreasing $\omega$) means
-decreasing the total amount of regularization done, and less contrast loss is
+decreasing the total amount of regularization applied, and less contrast loss is
an expected outcome of decreasing the regularization, disregarding the
anisotropy.
Thus in the last
image we have also used $\omega = 150$ but the restoration
amount $\beta$ is increased such that the amount of noise removed
-$\norm{u - f}_{L^1}$ is
+$\norm{u - f}_{L^2}$ is
approximately equal to the noise removed when using regular total
variation in Figure~\ref{fig:finger_contrast_tv}. By visual inspection,
the last image seems to have somewhat higher contrast. This can be